It is published annually by Southern Utah University Press in cooperation with the SUU Center for Shakespeare Studies and the Utah Shakespeare Festival.
The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare’s contemporaries.
After raising almost $50,000 in a Kickstarter campaign we embarked on a journey – to film all of Shakespeare’s sonnets, each performed by a different actor in a carefully chosen New York City location.
It began as project with a deadline – by Shakespeare’s 450th birthday (April 23rd 2014) all 154 sonnets would be assigned, filmed and released on our website and You Tube.
The Sonnet Project very quickly into something more.
It became apparent that each sonnet was not simply a ‘video’ – not simply an actor standing at a monument reciting a sonnet – but a short independent film. We decided to focus on the journey rather than the destination – the Project will not be finished by April. In fact, it’s more than ok because the Project has exploded into a The New York Times is currently featuring Maximum Shakespeare: an online discussion of the playwright and his works.
We share the hidden drama of the weeks, days, and hours before ‘lights up’ on stage.
By revealing the world of the rehearsal room, dressing room, backstage and beyond, our documentaries and interviews introduce theatre as a vibrant, exciting art form through a familiar and accessible medium.), to name a few.
Some of the writers already signed up are Margaret Atwood (“The Tempest”), Howard Jacobson (“The Merchant of Venice”), Anne Tyler (“The Taming of the Shrew”), Jo Nesbo ("Macbeth"), and Jeanette Winterson (“The Winter’s Tale”).
I can't wait to see what they do with the plays!