Hairspray Musical Essays

Hairspray Musical Essays-10
It was more extravagant, dance-heavy and provocative than previous musical entertainments, but its script and score were constantly changing, with songs interpolated from various sources. While several European talents, like Jacques Offenbach (1819-80), Johann Strauss II (1825-99) and Arthur Sullivan (1842-1900), influenced the music in musicals, the beginning of a distinctively American sound is largely attributable to Stephen Foster (1826 - 1864), in songs like "Oh!Susanna," "Camptown Races" and "Old Folks at Home (Swanee River)." The memorable musicals from the rest of the 19th and early 20th centuries are mostly operettas, such as Reginald de Koven's ) (American production, 1907).Cry-Baby premiered at the La Jolla Playhouse in San Diego in November 2007 and opened on Broadway in April 2008.

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I'll give you funny, or at least tell you where to find it: Cry-Baby, the new John Waters musical, is campy, cynical, totally insincere and fabulously well crafted. If laughter is the best medicine, then Cry-Baby is the whole damn drugstore." Newsday called the show "pleasantly demented and -- deep in the sweet darkness of its loopy heart -- more true to the cheerful subversion of a John Waters movie than its sentimental big sister Hairspray." The New Jersey Star-Ledger called it, "candy for adults who like their musicals nutty -- and not so nice." The New Line cast includes Caleb Miofsky (as Wade “Cry Baby” Walker), Grace Langford (Allison Vernon-Williams), Margeau Steinau (Mrs. Dupree), Jake Blonstein (Baldwin Blandish), Reagan Deschaine (Pepper Walker), Jaclyn Amber (Wanda Woodward), Sarah Dowling (Mona “Hatchet-Face” Malnorowski), AJ Surrel (Lenora Frigid), Todd Micali, Stephen Henley, Ian Mc Creary, Christopher Strawhun, Maggie Nold, and Grace Minnis.

The New Line production will be directed by Scott Miller and Mike Dowdy-Windsor, with music direction by Nicolas Valdez, choreography by Michelle Sauer, scenic design by Rob Lippert, costume design by Colene Fornachon, lighting design by Kenneth Zinkl, and sound design by Ryan Day.

Not valid in connection with other discounts or offers, available only at the door, and subject to availability. New Line Theatre receives funding from the Regional Arts Commission and the Missouri Arts Council.

Cry-Baby is presented by arrangement with Music Theatre International, New York.

His shows celebrated both an all-American, flag-waving patriotism, and the immigrant experience.

The shows were brash, direct, and contemporary and, shockingly for the time, included jargon and slang.Wayward youth, juvenile delinquents, sexual repression, cool music, dirty lyrics, social rejects, it's all here!New Line opens its 29th season in October 2019 with the hilarious rockabilly musical CRY-BABY, based on the classic John Waters film.To charge tickets by phone, call Metro Tix at 314-534-1111 or visit the Fox Theatre box office or the Metrotix website.HIGH SCHOOL DISCOUNT: Any high school student with a valid school ID can get a ticket for any performance all season long, with the code word for each show, which will posted only on New Line's Facebook page. EDUCATORS DISCOUNT: New Line offers all currently employed educators half price tickets on any Thursday night, with work ID or other proof of employment.At the other end of the topsy-turvy moral meritocracy of 1954 America, Baldwin as the king of the squares leads his close-harmony pals against the juvenile delinquents, who are ultimately arrested for arson, sending the drapes all off to prison. CRY-BABY has a score by David Javerbaum (The Daily Show) and Adam Schlesinger (Fountains of Wayne), and a book by Mark O'Donnell and Thomas Meehan, based on John Waters' classic indie film.O'Donnell and Meehan also adapted John Waters' Hairspray for the musical stage.It was also nominated for Best Musical by the Drama League and the Outer Critics Circle Awards.Terry Teachout wrote in the Wall Street Journal, "You want funny? It is, in fact, the funniest new musical since Avenue Q.His work began to be broadly recognized with songs he added to the imported (1914).The hit song from the show, "They Didn't Believe Me," is often described as the first standard of the classic American songbook.

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