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The metaphor is seen within the monster, created by Frankenstein.
Shelley explores identity through the character of the monster whom is a victim of Victor’s abandonment. This is seen in, "' I am alone and miserable: man will not associate with me; but one as deformed and horrible as myself would not deny herself to me.
An identity indicates more than merely a name or label specifically to the monster as it signifies that one has a place within society and that one has a purposeful existence in the world.
“Rachael is an experiment, nothing more” This quote objectifies Rachael as an “experiment” displaying the lack of Tyrell’s patriarchal figure.
Death; ah, well that’s a little out of my jurisdiction” – this discerns Tyrell’s own obsessive perception of himself and his vanity.
Both composers, Scott and Shelley warn the audience of the advancement of technology and the impact towards man.
Scott denotes this idea in Blade Runner through the death of Tyrell.
The visual motif, nature, represents purity and virtue.
However, due to the mid shots, which exaggerate the compacted frame and claustrophobia of Los Angeles in Blade Runner, it is discernible that the city lacks nature thus purity and also the inundated influence of corporations whereby Scott is inferring the corruption and decay of humanity due to science.
Devolution of man can be represented through the setting of the text.
Shelley explores this idea in Frankenstein through the use of nature, denoting the Romanticism concept of the embracement of nature.