Architect Essays

Architect Essays-9
These include climate change, war and migrations, making accessible and safe public spaces for diverse communities and considering the transformative impact of digital technologies on the spaces of our everyday lives.But the nature of professional practice driven by the demands of consumer capitalism frustrates this goal.MIT Press began publishing journals in 1970 with the first volumes of Linguistic Inquiry and the Journal of Interdisciplinary History.

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Drawn to architecture because it provides “an open series of structural models,” Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries.

He leads the reader from Jean-François Blondel to Eugène Viollet-le-Duc to Mies van der Rohe to Diller Scofidio, with stops along the way at the Temple of Jerusalem, Vitruvius's De Architectura, and the Louvre.

Why did my education leave me unequipped to expand my materials palette to include living materials – trees and vegetation – as space-defining elements?

Why was I trained to conceive of the building envelope as the limit where architecture ends rather than as a porous membrane that facilitates the transition between interiors and landscape, both precincts understood as intercommunicating designed spaces that foster social interaction?

In the title essay, Damisch moves easily from Diderot's Encylopédie to Noah's Ark (discussing the provisioning, access, floor plan) to the Pan American Building to Le Corbusier to Ground Zero.

Noah's Ark marks the origin of construction, and thus of architecture itself.

Star architecture rewards eye-catching form over social responsibility, encouraging name brand architects and interior designers to craft signature photogenic trophy buildings and interiors that can be disseminated in the mass media.

This mentality represents the last gasp of the now discredited image of the heroic Modern architect, exemplified by Howard Roark as depicted in Ayn Rand’s , an invincible white male who single-handedly can save humanity through design.

Considering these questions from a historical and social perspective, has led me to conclude that the seemingly straightforward differences in design approach and professional conduct between architecture, interiors and landscape stem from deep-seated cultural values often rooted in class and gender.

Over the past 20 years, I have written papers that treated the relationship between architecture and interiors and architecture and landscape as independent subjects.

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